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Week XIV: The Cult Of The Virgin
Week XIV: The Cult Of The Virgin
Jonathan Riehn
In the oak artwork of France, Virgin and Child, in 1150 to 1200 AD, distinct contours and curves are used to bring the viewer closer to Mary and her child of Jesus. This piece uses the oak to create an orderly and structured artwork using polychrome paint for its cover. In the gilded silver artwork of France, Virgin and Child, in 1339 AD, the abrupt but flowing curves in
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better job at conveying the message to the viewer because they are both from different periods and patrons. The Virgin and Child in gilded silver gives a more accurate and real life depiction of the scene of Mary and her child Jesus. The Virgin and Child in oak however, uses a more direct and plain way to convey the message to the viewer. So in the end both these sculpture are masterpieces from their period.
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