Titians altarpieces in the church of the Frari Venice
Title: Titians altarpieces in the church of the Frari Venice
Category: /Arts & Humanities
Details: Words: 2639 | Pages: 10 (approximately 235 words/page)
Titians altarpieces in the church of the Frari Venice
Category: /Arts & Humanities
Details: Words: 2639 | Pages: 10 (approximately 235 words/page)
Titian’s Pesaro and Assunta. Altarpieces in the church of the Frari, Venice.
What was the importance of these two altarpieces for the development of painting in Venice, both from a stylistic and iconographic point of view?
It has been said that Titian’s Assunta, which adorns the high altar, and Pesaro (on the left aisle of the chapel of the Immaculate Conception) stand mid-way between the past and the future of Venetian painting. This
showed first 75 words of 2639 total
You are viewing only a small portion of the paper.
Please login or register to access the full copy.
Please login or register to access the full copy.
showed last 75 words of 2639 total
P. The Altarpiece in Renaissance Venice, New Haven and London (1993)
5. Licht, F. ‘Titian: The Majestic Voice of All Venice’, in Art International no.11 Summer 1990 p.90-93
6. Ricketts, C. Titian Methuen & Co.Ltd, London, 1910
7. Rosand, D. Painting in Cinquecento Venice: Titian, Veronese, Tintoretto, New Haven and London (1982)
8. Rosenthal, M. ‘In my view… Titian’s reputation: the limitations of history’, in Apollo, Dec. ’93 p.395-8
9. Tietze, H. Titian: The Paintings and Drawings The Phaidon Press Ltd, London 1950

