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Narrative Creativity in Sadegh Hedayat’s The Blind Owl and M
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arrators are ambiguous in their explanations. There are no clarifications given on many of the themes presented by them. They seem at times unreliable and untrustworthy. Fiction and reality overlap in both narrations. The reader is sometimes not aware if what is happening to the characters is real or if it is only a figment of their imagination. The narrators seem mentally disturbed individuals when their actions and thoughts are erratic and even insane.
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